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・ Hidenori Tokuyama
・ Hidenori Yoshimizu
・ Hidenoumi Takuya
・ Hidenoyama Raigorō
・ Hidenwood
・ Hideo
・ Hideo Aragaki
・ Hideo Azuma
・ Hideo Baba
・ Hideo Date
・ Hideo Den
・ Hideo Fujimoto
・ Hideo Fujimoto (wrestler)
・ Hideo Fukui
・ Hideo Fukuyama
Hideo Gosha
・ Hideo Hagiwara
・ Hideo Hashimoto
・ Hideo Hatoyama
・ Hideo Higashikokubaru
・ Hideo Higashiyama
・ Hideo Hiraoka
・ Hideo Hiraoka (racing driver)
・ Hideo Hosono
・ Hideo Iijima
・ Hideo Ishikawa
・ Hideo Itokawa
・ Hideo Iwakuro
・ Hideo Jinpu
・ Hideo Jojo


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Hideo Gosha : ウィキペディア英語版
Hideo Gosha

was a Japanese film director.
Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara ''Three Outlaw Samurai'', so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are ''Goyokin'' and ''Hitokiri'' (also known as ''Tenchu''), both released in 1969 and both considered to be two of the finest examples of the chambara genre.
During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as ''The Wolves'' (1972), ''Bandits vs. Samurai Squadron'' (1978), and ''Hunter in the Dark'' (1979). His film ''Sword of the Beast'' (1965) was released by Criterion.
By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for ''The Geisha''.
Gosha influenced the oeuvre of Takashi Miike〔(Janus FIlms and Criterion Present Samurai Classics at the Ritz : Fantastic Fest )〕 and Yoshiaki Kawajiri.〔Sutajio yū (2008). Plus Madhouse 02 - Yoshiaki Kawajiri (PLUS MADHOUSE 2 川尻善昭?). Inc./Hatsubai Kinemajunpōsha. ISBN 978-4-87376-304-0. OCLC 233684835. Japanese edition〕
==Filmography==

* 1964 ''Three Outlaw Samurai''
* 1965 ''Sword of the Beast''
* 1966 Cash Calls Hell
* 1966 The Secret of the Urn
* 1966 Samurai Wolf
* 1967 Samurai Wolf II
* 1969 ''Goyokin''
* 1969 ''Hitokiri'' (aka Tenchu)
* 1971 The Wolves
* 1974 Violent Streets
* 1978 ''Bandits vs. Samurai Squadron''
* 1979 Hunter in the Dark
* 1982 Onimasa
* 1983 ''The Geisha''
* 1984 Fireflies in the North
* 1985 Oar/Kai
* 1985 Tracked/Usugesho
* 1986 Death Shadows
* 1986 The Yakuza Wives
* 1987 Tokyo Bordello
* 1988 Carmen 1945
* 1989 226/Four Days of Snow and Blood
* 1991 Kagero
* 1992 The Oil-Hell Murder

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Hideo Gosha」の詳細全文を読む



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